3. Contributo in atti di convegno (Proceedings)

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Designing Sound Interactions in Spaces: a Sound-Based framework for architectural interiors' repurposing and development

This research investigates the aural dimension of public interiors as an active and interactive component of spatial experience, rather than a purely technical issue limited to sound insulation or absorption. Sound is addressed as an intangible, relational, and temporal material that mediates interactions between space, human presence, and non-human agents, including architectural elements and environmental dynamics. Through an interdisciplinary framework bridging design, Sound Art, and acous...

Multisensory augmentation of university study rooms: The cross-modal role of scents on soundscape perception

Indoor soundscape and smellscape research is transforming the conception of built environments, moving beyond sensory neutrality toward the intentional design of spaces that are pleasant and supportive of occupants’ activities, while explicitly recognizing the multisensory nature of environmental experience. This laboratory study investigated the effects of auditory and olfactory augmentation on soundscape perception in university study rooms. Thirty-six students participated in a full-factor...

Sound source dominance in mountain soundscapes: Machine listening, human perception, and memory

This paper evaluates sound source dominance in Alpine mountain soundscapes by comparing three distinct methodologies: human perception in situ, automatic sound event detection (SED), and retrospective judgement. Findings indicate that while SED and human perception ratings are generally consistent for categories such as human sounds and water, retrospective recollections can be influenced by non-acoustical factors and prior knowledge. Notably, traffic noise is often overestimated in memory, w...

Artistic research as hacking: Analysing similarities of modes and methods through the observation of the experimental fashion project T-Typo

The article connects hacker culture with artistic research in fashion, highlighting how both areas share methods of producing and disseminating knowledge. Three key connecting points are highlighted: the unfinished thinking; the exploration phase through trial-and-error; the undisciplined use of tools. These shared elements are further emphasized by analyzing the experimental fashion project T-typo, which employs an artistic research methodology resulting in a form of hacking design...

XEROXED Edition 001 – ‘Against Boredom: Delirious is Beautiful

XEROXED: wearable pages, readable garments is a publishing platform that investigates the interplay between body, garment, and written publication through the reconfiguration of paper material into wearable garments. For its Edition 001- Against boredom: delirious is beautiful, XEROXED collaborated with the Primo Moroni Archive in Milan, a non-institutional archive hosting one of the largest collections of Italian leftist underground materials, spanning from the late 1970s to prese...

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