"Adel Abdessemd. Works 1988-2015". Contiene i seguenti testi di A. Mengoni: Ombre et lumière pp. 12-13; Nüremberg pp. 20-21; Sysiphe pp. 25-27; Passé simple pp. 34-35; Nuit pp. 42-46; Chrysalide, ça tient à trois fils pp. 50-51; Fontaine pp. 54-55; Zen pp. 58-59; Je me dresse entre les deux pp. 66-67; Adel has resigned pp. 70-71; Question nary pp. 72-73; Il meglio delle tre religioni pp. 78-79; The Green Book pp. 80-81; Happiness in Mitte pp. 84-87; Real Time pp. 88-89; Habibi pp. 90-95; Tschüss pp. 104-105; Study for a video project pp. 106-107; Bourek pp. 108-111; Brik pp. 112-113; Godi s design pp. 116-119; Les Douleurs de ma mère pp. 122-123; Pluie noire p. 134; Birth of Love pp. 142-143; Dvir pp. 148-149; Habibti pp. 150-153; La capacité qu’a la main pp. 154-155; Practice Zero Tolerance pp. 158-163; Wall Drawing p.. 168-171; Séparation pp. 172-173; Sept frères pp. 174-175; Don’t Trust Me pp. 184-187; Helikoptère pp. 196-197; Also Sprach Allah pp. 226-229; Hot Blood pp. 246-247; Usine pp. 258-259; Nedjma pp. 276-279; The Futur of Décor pp. 300-301; Taxidermia, Taxidermy, Histoire naturelle pp. 322-327; One Thousand One pp. 328-329; L’avenir est aux fantômes p. 350; Odradek pp. 360-361; Lise pp. 362-363; Cheval arabe pp. 364-365; Décor pp. 366-371; Who’s Afraid of the Big Bad Wolf pp. 388-391; La Grande parade pp. 392-395; Cri pp. 404-411; Soldaten pp. 412-415; Le Vase Abominable pp. 416-421; Little Pot pp. 422-425; State pp. 426-429; Printemps pp. 434-437; L’Age d’Or pp. 442-443; Park pp. 468-471; Lampedusa pp. 472-475; Pigeon pp. 480-483; Mon Enfant pp. 490-495; Tortue pp. 498-501; Solitude pp. 502-503; Diptyque pp. 514-515; Trabajo pp. 532-535; Citizen pp. 542-547; Chicos pp. 548-551; El Che pp. 552-553.

The volumes focus on Adel Abdessemed's artistic works in the years 1988-2015. Besides the essays of several international authors, a second volume focuses on the close analyses of Abdessemed's works: a brief essay explores the characteristics and sense generation of every single work and clarifies the issues it appeals to. Angela Mengoni is the author of 65 essays, for a total of about 200 pages of close visual analysis.