The paper explores the documentary strategies at work in Gerhard Richter's Atlas. Montage is at the core of those visual operations, confronted to the witnessing of a past-present imbrication typical of the structure of trauma.
Documents après-coup : Exploring Fragments, Performing Memory
MENGONI, ANGELA
2016-01-01
Abstract
The paper explores the documentary strategies at work in Gerhard Richter's Atlas. Montage is at the core of those visual operations, confronted to the witnessing of a past-present imbrication typical of the structure of trauma.
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