The article explores the visual strategies of montage at stake in Gerhard Richter's Atlas, a visual archive which has been created by the artist since 1962. The procedure of visual montage is considered as a visual strategy capable of dealing with the semantic horizon of trauma and mnemonic elaboration in post-war Germany.
"Aucun sens, aucune pitié, aucune sympathie": un Atlas à remonter l'histoire-nature
MENGONI, ANGELA
2016-01-01
Abstract
The article explores the visual strategies of montage at stake in Gerhard Richter's Atlas, a visual archive which has been created by the artist since 1962. The procedure of visual montage is considered as a visual strategy capable of dealing with the semantic horizon of trauma and mnemonic elaboration in post-war Germany.
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