My contribution to this volume will propose some reflections on Italian found footage cinema in order to point out some of it's possible specificities. Following an historical introduction of sorts, I will examine the Italian production of such films from the last few years. These are highly experimental practices that straddle documentary, art and fiction cinema, revisited memories and images that abandon their original meanings in order to introduce other notions of the "real" and tell new stories about italian cinema and culture.

Italian Documentary Forms and Cinematographic Archives

BERTOZZI, MARCO
2017-01-01

Abstract

My contribution to this volume will propose some reflections on Italian found footage cinema in order to point out some of it's possible specificities. Following an historical introduction of sorts, I will examine the Italian production of such films from the last few years. These are highly experimental practices that straddle documentary, art and fiction cinema, revisited memories and images that abandon their original meanings in order to introduce other notions of the "real" and tell new stories about italian cinema and culture.
2017
Loredana Di Martino, Pasquale Verdicchio (Edited by)
Encounters with the Real in Contemporary Italian Literature and Cinema
1443811238
9781443811231
Inglese
205
234
30
Internazionale
Cambridge Scholars Publishing
Newcastle upon Tyne
REGNO UNITO DI GRAN BRETAGNA
Esperti anonimi
http://www.cambridgescholars.com/encounters-with-the-real-in-contemporary-italian-literature-and-cinema
italian found footage, archival images, real, reality, visual culture, history of italian cinema.
no
reserved
2. Contributo in Volume::2.1 Contributo in Volume(Capitolo,Saggio)
Bertozzi, Marco
268
info:eu-repo/semantics/bookPart
1
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11578/271697
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