Th e essay aims to provide a critical reading of the transformations of the languages and codes of the narrative of the contemporary exhibit together with the more traditional ones, especially in the archaeological fi eld. Deepening the potential of new digital, interac-tive and immersive strategies that eff ectively communicates to the general public, protect-ing and enhancing both the historical and aesthetic value of the analyzed asset.

New Digital Prototypes For The Narration of Archeological Data

Giuseppe D'Acunto;Antonio Calandriello
2022-01-01

Abstract

Th e essay aims to provide a critical reading of the transformations of the languages and codes of the narrative of the contemporary exhibit together with the more traditional ones, especially in the archaeological fi eld. Deepening the potential of new digital, interac-tive and immersive strategies that eff ectively communicates to the general public, protect-ing and enhancing both the historical and aesthetic value of the analyzed asset.
2022
Maddalena Bassani, Giuseppe D’Acunto, Fantina Madricardo (a cura di)
Crossing the Water. The Venice Lagoon from Antiquity throughout the centuries
9788891323064
Inglese
10
199
215
17
Internazionale
«L’ERMA» di BRETSCHNEIDER
Roma e Bristol
ITALIA
Esperti anonimi
modellazione digitale, ricostruzioni digitali, musei virtuali
no
restricted
2. Contributo in Volume::2.1 Contributo in Volume(Capitolo,Saggio)
D'Acunto, Giuseppe; Calandriello, Antonio
268
info:eu-repo/semantics/bookPart
2
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11578/318008
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