This critical edition presents a new annotated translation of G.B. Shaw’s first play Widowers’ Houses (1892) into Italian and includes the play’s English text, along with the English-Italian text of Shaw’s Preface to Plays Unpleasant, part of which Widowers’ Houses originally was. The edition provides an introductory essay that investigates the play’s genesis, its relevance within Shaw’s corpus, its main themes, and critical reception and stage history both in Great Britain and Italy. Mistakes in the past Italian translations – most patent among which is the play’s title, that had always been translated in the singular (“Le case del vedovo”) rather than in the plural form (“Le case dei vedovi”), thus also implicating that its Biblical intertextuality had never been identified – are discussed in the introductory essay and addressed in the text. The edition aims to reassess not only Shaw’s Italian, but also transcultural, reception by offering a critical apparatus and new text for a play that represented a turning point in the author’s career.
Widowers's Houses = Le case dei vedovi
Bizzotto, Elisa
2022-01-01
Abstract
This critical edition presents a new annotated translation of G.B. Shaw’s first play Widowers’ Houses (1892) into Italian and includes the play’s English text, along with the English-Italian text of Shaw’s Preface to Plays Unpleasant, part of which Widowers’ Houses originally was. The edition provides an introductory essay that investigates the play’s genesis, its relevance within Shaw’s corpus, its main themes, and critical reception and stage history both in Great Britain and Italy. Mistakes in the past Italian translations – most patent among which is the play’s title, that had always been translated in the singular (“Le case del vedovo”) rather than in the plural form (“Le case dei vedovi”), thus also implicating that its Biblical intertextuality had never been identified – are discussed in the introductory essay and addressed in the text. The edition aims to reassess not only Shaw’s Italian, but also transcultural, reception by offering a critical apparatus and new text for a play that represented a turning point in the author’s career.File | Dimensione | Formato | |
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