The Totenburg (Dead’s Castle) of Quero (northeast Italy), a German war memorial, embodies the intertwining of political, military, and cultural ideologies of the Third Reich. Inaugurated in May 1939, this cenotaph reflects the strategic importance given to the commemoration of the small group of German soldiers who fell in the surrounding area during the First World War I. Designed by Robert Tischler, chief architect of the Volksbund Deutsche Kriegsgräberfürsorge (Vdk), This Totenburg was conceived as an imposing, flawless hyper accurate design, fortress-like structure, fusing ancient medieval German-Imperial architectural elements instated in the Italian peninsula. The concept seemingly intended only for the memory of the fallen, covertly emphasized both the inviolability and the eternal nature of the new Reich. This monument’s architecture is carefully integrated into the landscape, reinforcing its symbolic function with sacred elements of a kind of nazi-religion. These elements served to perpetuate National Socialist ideology, instilling a sense of continuity between past conflicts and those that would be necessary for the future domination of the peoples the Reich would subjugate. This is one of the most significant examples of Third Reich architecture outside Germany, representing a political and cultural statement extended beyond its apparent function. The site, despite attempts to disguise it as a mere memorial in the post-War II, continues to evoke dangerous and complex historical reminiscences, reflecting the intersection of war, art, politics and propaganda during the Nazi era.

Il Totenburg di Quero: Dunkle, wie mit Blut getränkt

Toneguzzi, Gabriele
2019-01-01

Abstract

The Totenburg (Dead’s Castle) of Quero (northeast Italy), a German war memorial, embodies the intertwining of political, military, and cultural ideologies of the Third Reich. Inaugurated in May 1939, this cenotaph reflects the strategic importance given to the commemoration of the small group of German soldiers who fell in the surrounding area during the First World War I. Designed by Robert Tischler, chief architect of the Volksbund Deutsche Kriegsgräberfürsorge (Vdk), This Totenburg was conceived as an imposing, flawless hyper accurate design, fortress-like structure, fusing ancient medieval German-Imperial architectural elements instated in the Italian peninsula. The concept seemingly intended only for the memory of the fallen, covertly emphasized both the inviolability and the eternal nature of the new Reich. This monument’s architecture is carefully integrated into the landscape, reinforcing its symbolic function with sacred elements of a kind of nazi-religion. These elements served to perpetuate National Socialist ideology, instilling a sense of continuity between past conflicts and those that would be necessary for the future domination of the peoples the Reich would subjugate. This is one of the most significant examples of Third Reich architecture outside Germany, representing a political and cultural statement extended beyond its apparent function. The site, despite attempts to disguise it as a mere memorial in the post-War II, continues to evoke dangerous and complex historical reminiscences, reflecting the intersection of war, art, politics and propaganda during the Nazi era.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11578/353591
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