The national pavillions at the Venice Biennale have suffered for some 30 years in being considered an old structure, linkeed to the notion of Nation born and developped in the XIX century. In fact, the increasing number of national pavillion in the Venice Biennale is going in the opposite direction. Even if it is necessary not to be naive, and to reconsider all the nations without state and the complexity of the idea of nation, the new geopoliyical cultural diplomacy leads to a reconsideration of the big international shows as places for negotiations and axchange of differencies.

Afterword

VETTESE, ANGELA GIOVANNA
2012-01-01

Abstract

The national pavillions at the Venice Biennale have suffered for some 30 years in being considered an old structure, linkeed to the notion of Nation born and developped in the XIX century. In fact, the increasing number of national pavillion in the Venice Biennale is going in the opposite direction. Even if it is necessary not to be naive, and to reconsider all the nations without state and the complexity of the idea of nation, the new geopoliyical cultural diplomacy leads to a reconsideration of the big international shows as places for negotiations and axchange of differencies.
2012
The State of Things
Marta Kuzma, Pablo Lafuente, Peter Osborne
9788292495186
1
283
289
290
Internazionale
Koenig Books
London
Nessuno
Pavillion; Biennale; Venice
Thee book has been co-produced by the Office for Contemporary Art of Oslo and The Iuav University of Venice, as part of the researches linked to the "unità di ricerca" "Venice Biennale Study Group - Fare mostre per fare storia", directed by Angela Vettese at the Iuav University
none
1
269
2. Contributo in Volume::2.2 Prefazione / Postfazione
Vettese, ANGELA GIOVANNA
info:eu-repo/semantics/bookPart
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11578/81692
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