The research has focused upon factors of continuity, and has highlighted a rupture with the past. Clearly, technology has played and continues to play a key role in environmental approaches to colour/light. But does technology bring about a change in how designers operate, or does the design process remain essentially intact, using new tools for similar goals (e.g. to excite, shock or challenge traditional perspectives)?
Titolo: | Chromoland, the colour land. Introduction |
Autori: | |
Data di pubblicazione: | 2012 |
Abstract: | The research has focused upon factors of continuity, and has highlighted a rupture with the past. Clearly, technology has played and continues to play a key role in environmental approaches to colour/light. But does technology bring about a change in how designers operate, or does the design process remain essentially intact, using new tools for similar goals (e.g. to excite, shock or challenge traditional perspectives)? |
Handle: | http://hdl.handle.net/11578/91704 |
ISBN: | 9788896370094 |
Appare nelle tipologie: | 2.2 Prefazione / Postfazione |
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