Il saggio "A Pervasive Drawing: Mario Sironi Meta-Designer of a Lictorian Style" esprime una definizione esemplificata del concetto di di "stile" nel contesto del design e dell'architettura, analizzando le difficoltà concettuale e la sua centralità nella foggia di identità culturali e artistiche. L'autore riflette sulla natura contraddittoria dello "stile", visto come una nozione fluida e sfuggente: da un lato, esso è identificativo, dall'altro si manifesta in forme variabili e diffuse. Ques...
Today’s developments in morphometry through pattern recognition tools developed for deep learningoffer us the elements of a “geometry” ob-tained a posteriorifrom the analysis of vast data sets of objects; it is a geometry constructed by “abductive”reasoning,which is very different from the a priorihypothetico-deductive reasoning of geometry tout court.The applications of this abductive morphometric geometry are verifiable retrospectively –in its sta-tistical adaptation to the facts it describ...
The increasing development and adoption of Artificial Intelligence (AI) tools that prove to be effective in partially automating many productive tasks – from concept to rendering, from surveying to parame- tric modelling – in the field of design representations [1] and concerning the domains of architecture, urban planning and (product and communication) design, now places us in various stages of ‘transition to artificial drawing’. This contribution deals with the way in which some topics rel...
In recent years, drawing (and designing) is increasingly done using artificial intelligence applications to the extent that the (theoretical-practical) academic discipline of Drawing can be reformulated in terms of “Artificial Drawing” [AD], remaining faithful to its ancient aesthetologic and scientific mission: “to depict the sensible form of things”. The qualitative morphological mission of drawing, in the era of computational aesthetics, encounters a development of possible morphological m...