"For an architetture whithout details" is a sort of a mission statement to bring again architecture and the city in the center of the debate, as a place for ideas and art. But also to stress the strong link between necessity issues and places of imagination. Quoting Edgar Morin "there is an increasing, deep, serious inadequacy between our separated, broken up knowledges, splitting in conventional disciplines and reality or in issues which keep becoming more polidisciplinar, trasversal, multidimensional". I think that the essence of the issue is this inadequacy, which Morin denounces, and its overtaking. The project in architecture, being the result of a cultural-technical-scientific process, represents the top of an intellectual thought able to unify artistic-humanistic disciplines and technical-scientific disciplines. In the relationship between the project and the techniques you can find a new and antique condition of the scientific research in architecture. The unity depiction-construction defines a culture of the project which should not only solve functional issues, but investigates the essence of construction as a formal process, as a necessary path studying the relationships between an idea of form and its achievement.
Architecture without details
DAL FABBRO, ARMANDO
2012-01-01
Abstract
"For an architetture whithout details" is a sort of a mission statement to bring again architecture and the city in the center of the debate, as a place for ideas and art. But also to stress the strong link between necessity issues and places of imagination. Quoting Edgar Morin "there is an increasing, deep, serious inadequacy between our separated, broken up knowledges, splitting in conventional disciplines and reality or in issues which keep becoming more polidisciplinar, trasversal, multidimensional". I think that the essence of the issue is this inadequacy, which Morin denounces, and its overtaking. The project in architecture, being the result of a cultural-technical-scientific process, represents the top of an intellectual thought able to unify artistic-humanistic disciplines and technical-scientific disciplines. In the relationship between the project and the techniques you can find a new and antique condition of the scientific research in architecture. The unity depiction-construction defines a culture of the project which should not only solve functional issues, but investigates the essence of construction as a formal process, as a necessary path studying the relationships between an idea of form and its achievement.
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