Air Iuav archivio istituzionale della ricerca
AIR è l'Archivio Istituzionale della Ricerca ad accesso aperto dell'Università Iuav di Venezia che ha lo scopo di raccogliere, documentare, diffonderee conservare i prodotti scientifici dell'ateneo.
AIR IUAV si avvale di IRIS, il sistema di gestione integrata dei dati della ricerca del CINECA.
EnglishTaking cue from the epistolary exchange between Gottfried Boehm and Tom Mitchell, the article explores the relationship between the interdisciplinary area of the so-called Bildkritik (in the German area) also referred to as "Iconic turn" and Visual semiotics. Rather than focusing on the explicit quotation of semiotic concepts or authors, the paper proposes to examine the heuristic approach to the image that characterizes both the analytical dimension of the Bildkritik and the semiotics of the image developed by the French generative semiotics, particularly by Algirdas Greimas and its school. Taking into account the immanent approach of both traditions and some key-operators (such as ‘iconic difference’ and ‘sémiotique plastique’), the acknowledgement of an active sense-generating capability of the ‘visual’ will emerge as a common feature.
| Titolo: | Euristica del senso : iconic turn e semiotica dell'immagine |
| Autori: | |
| Data di pubblicazione: | 2012 |
| Rivista: | |
| Abstract: | Taking cue from the epistolary exchange between Gottfried Boehm and Tom Mitchell, the article explores the relationship between the interdisciplinary area of the so-called Bildkritik (in the German area) also referred to as "Iconic turn" and Visual semiotics. Rather than focusing on the explicit quotation of semiotic concepts or authors, the paper proposes to examine the heuristic approach to the image that characterizes both the analytical dimension of the Bildkritik and the semiotics of the image developed by the French generative semiotics, particularly by Algirdas Greimas and its school. Taking into account the immanent approach of both traditions and some key-operators (such as ‘iconic difference’ and ‘sémiotique plastique’), the acknowledgement of an active sense-generating capability of the ‘visual’ will emerge as a common feature. |
| Handle: | http://hdl.handle.net/11578/114888 |
| Appare nelle tipologie: | 1.1 Articolo su Rivista |
File in questo prodotto:
http://hdl.handle.net/11578/114888
Copyright © 2021