The paper examines the Warburghian concept of "intermediary form" as ritual moment in the in-between of art and life. It also explores the afterlife of the Pathosformel in the painterly motif of Clorinda's baptism in the paintings by Domenico Tintoretto and other artists.
Aby Warburg, rituel, Pathosformel et forme intermédiaire
careri
2003-01-01
Abstract
The paper examines the Warburghian concept of "intermediary form" as ritual moment in the in-between of art and life. It also explores the afterlife of the Pathosformel in the painterly motif of Clorinda's baptism in the paintings by Domenico Tintoretto and other artists.
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