In order to complement the text by Aby Warburg on Manet (published in this issue of Engramma, German edition and Italian version by Maurizio Ghelardi), we present a series of fragments pinned in 11 unnumbered sheets, dating back to the last months of Warburg’s life [WIA 102.1 .2]. Fragments are published in German version and Italian translation by Maurizio Ghelardi. In the Commentary by Monica Centanni, the main themes of these adnotations are put in evidence: The ancient sarcophagi as energy catalysts;” Sphaera barbarica” and katasterismos; Liberation of the demons and emancipation (Olympic) of the chthonic gods; Images of the Nymph: the handmaid, the Victory, Hecate; Dinamogrammi; Denkraum / Zwischenraum; Notes for the Bilderatlas Mnemosyne; Manet as a guide through the paths of Mnemosyne.
Nota di commento ai Frammenti di Aby Warburg, tra Manet e Mnemosyne
Centanni, Monica
2019-01-01
Abstract
In order to complement the text by Aby Warburg on Manet (published in this issue of Engramma, German edition and Italian version by Maurizio Ghelardi), we present a series of fragments pinned in 11 unnumbered sheets, dating back to the last months of Warburg’s life [WIA 102.1 .2]. Fragments are published in German version and Italian translation by Maurizio Ghelardi. In the Commentary by Monica Centanni, the main themes of these adnotations are put in evidence: The ancient sarcophagi as energy catalysts;” Sphaera barbarica” and katasterismos; Liberation of the demons and emancipation (Olympic) of the chthonic gods; Images of the Nymph: the handmaid, the Victory, Hecate; Dinamogrammi; Denkraum / Zwischenraum; Notes for the Bilderatlas Mnemosyne; Manet as a guide through the paths of Mnemosyne.
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