The text is quite literally Janus-faced: half-essay, half-interview; half looking back to a relatively remote time – the Napoleonic Wars that ravaged the whole of Europe and their aftermath – and half dealing with our recent past, present and immediate future; half set in Spain and half in the US, or better, in California. The first part of the text deals with Francisco Goya – specifically with what was, in my opinion, a point of rupture in his career, as represented by his Self-Portrait with Dr Arrieta (1820) conserved at the Minneapolis Institute of Art. The second part of the text is an interview with Ed Ruscha, centred on the way subjects such as time and memory, change and end, have been addressed throughout his long career.

Goya in Minneapolis, the End in Los Angeles

CENTIS L
2019

Abstract

The text is quite literally Janus-faced: half-essay, half-interview; half looking back to a relatively remote time – the Napoleonic Wars that ravaged the whole of Europe and their aftermath – and half dealing with our recent past, present and immediate future; half set in Spain and half in the US, or better, in California. The first part of the text deals with Francisco Goya – specifically with what was, in my opinion, a point of rupture in his career, as represented by his Self-Portrait with Dr Arrieta (1820) conserved at the Minneapolis Institute of Art. The second part of the text is an interview with Ed Ruscha, centred on the way subjects such as time and memory, change and end, have been addressed throughout his long career.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11578/284646
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