Since 2008 an object has become part of the repertoire of demonstrations, the mask. First in the Global North and then worldwide, a variety of masks – from that of the film V for Vendetta to that of The Joker and many more – have been donned by protesters. While individual masks have been investigated, the widespread use of masks as a meaningful political symbol still deserves analysis, all the more so that this artefact is absent from the political tradition of the Western World. The article formulates some hypotheses in order to understand the genealogy of the “political mask”. In particular, it locates its longue durée visual history within the iconography of the “faceless crowd”.
Democracy and Masks. Towards an Iconology of the Faceless Crowd
Galimberti, Jacopo
2021-01-01
Abstract
Since 2008 an object has become part of the repertoire of demonstrations, the mask. First in the Global North and then worldwide, a variety of masks – from that of the film V for Vendetta to that of The Joker and many more – have been donned by protesters. While individual masks have been investigated, the widespread use of masks as a meaningful political symbol still deserves analysis, all the more so that this artefact is absent from the political tradition of the Western World. The article formulates some hypotheses in order to understand the genealogy of the “political mask”. In particular, it locates its longue durée visual history within the iconography of the “faceless crowd”.File | Dimensione | Formato | |
---|---|---|---|
12690-Article Text-48848-2-10-20210802.pdf
accesso aperto
Tipologia:
Versione Editoriale
Licenza:
Creative commons
Dimensione
1.71 MB
Formato
Adobe PDF
|
1.71 MB | Adobe PDF | Visualizza/Apri |
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.