The image of the goddess Athena at the gates of Thebes, armed as a protector of the city, gradually conforms to the gestures and attributes of the Madonna in the Byzantine age. Some of these images and icons are transformed into battle weapons. If Athena is known and depicted as a goddess in armor, the representations of Mary from the Byzantine era use the power of the image especially in the context of war. Ferocious and desecrating iconographies increase the criminality that acts under the protection of the divinity. To bring attention back to the real gravity of the war being fought today, Pope Francis addressed the warlords directly.

Arruolare le icone : Materiali per una tavola warburghiana

Bergamo, Maria
2022-01-01

Abstract

The image of the goddess Athena at the gates of Thebes, armed as a protector of the city, gradually conforms to the gestures and attributes of the Madonna in the Byzantine age. Some of these images and icons are transformed into battle weapons. If Athena is known and depicted as a goddess in armor, the representations of Mary from the Byzantine era use the power of the image especially in the context of war. Ferocious and desecrating iconographies increase the criminality that acts under the protection of the divinity. To bring attention back to the real gravity of the war being fought today, Pope Francis addressed the warlords directly.
2022
Italiano
190
marzo 2022
51
56
6
Internazionale
http://engramma.it/eOS/index.php?id_articolo=4588
Comitato scientifico
Iconology; Aby Warburg; War; History of Art; Athena; Madonna; Power of the Images; Icons; Arms; Pope Francis
no
open
1. Contributo su Rivista::1.1 Articolo su Rivista
info:eu-repo/semantics/article
262
Bergamo, Maria
1
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11578/316215
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