A phenomenological approach to distant vision products may be useful to understand how some widely used remote control photography techniques are irreducible to a purely technical explanation. Taking into consideration the large graphic and photographic archive of the space missions and in particular that of the lunar probes of the Surveyor program (1966-1968) we realize that some characteristic patterns of the images and the relationship between the observer and the images themselves are already well recognizable in the products of the first remote vision devices.
On phenomenology of remote vision: the panoramas of the first lunar probes
Emanuele Garbin
2022-01-01
Abstract
A phenomenological approach to distant vision products may be useful to understand how some widely used remote control photography techniques are irreducible to a purely technical explanation. Taking into consideration the large graphic and photographic archive of the space missions and in particular that of the lunar probes of the Surveyor program (1966-1968) we realize that some characteristic patterns of the images and the relationship between the observer and the images themselves are already well recognizable in the products of the first remote vision devices.
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