The subject of this contribution is a scene from the film L’assassino, Elio Petri’s debut film released in April 1961. The analysis is proposed as a useful tool for investigating the Museo delle Navi di Nemi, in particular its setting in the post World War II period, analysing how the museum appears in the film sequence.
“Le Navi romane si possono vedere anche in tre”. Il Museo di Nemi nella sequenza del film L’assassino di Elio Petri (1961)
Toson, Christian;Grippa, Ilaria
2023-01-01
Abstract
The subject of this contribution is a scene from the film L’assassino, Elio Petri’s debut film released in April 1961. The analysis is proposed as a useful tool for investigating the Museo delle Navi di Nemi, in particular its setting in the post World War II period, analysing how the museum appears in the film sequence.
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