The paper presents the findings of an extended research study intothe status of the digitisation of items concerning pre-digital typographic techniques and technologies, to be found in Italian museums. The paper explores: (1) the cultural context and the relevance of the topic with regard to the renewed interest in long-neglected typographic forms and sources; (2) what is meant by ‘typographic items’ and their digitisation (archiving and display); (3) what the corpus of typographic museums we have taken into consideration is, namely the Italian Association of Printing and Paper Museums; (4) the methodology that was implemented to define the type of digitisation of items and the accessibility of the digitised files to museum staff and/or external users; (5) the possibility of expanding the research framework, by including other actors – other museums not belonging to the Association and the many printing workshops scattered across the country, which have saved traditional printing equipment and supplies with the intent in part to preserve their historical value, but primarily for their functions and the possibility of bringing them back into use. (6) Some final remarks, including a comparative study of the Italian case studies and others in Europe.
A Survey of the Digitisation of Collections in Italian Typographic Museums
Bonini Lessing, Emanuela Fanny
2024-01-01
Abstract
The paper presents the findings of an extended research study intothe status of the digitisation of items concerning pre-digital typographic techniques and technologies, to be found in Italian museums. The paper explores: (1) the cultural context and the relevance of the topic with regard to the renewed interest in long-neglected typographic forms and sources; (2) what is meant by ‘typographic items’ and their digitisation (archiving and display); (3) what the corpus of typographic museums we have taken into consideration is, namely the Italian Association of Printing and Paper Museums; (4) the methodology that was implemented to define the type of digitisation of items and the accessibility of the digitised files to museum staff and/or external users; (5) the possibility of expanding the research framework, by including other actors – other museums not belonging to the Association and the many printing workshops scattered across the country, which have saved traditional printing equipment and supplies with the intent in part to preserve their historical value, but primarily for their functions and the possibility of bringing them back into use. (6) Some final remarks, including a comparative study of the Italian case studies and others in Europe.File | Dimensione | Formato | |
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