The article suggests an analysis of the relationship between performance and photography in the piece Liquidi by Lucia Poli (1976). After introducing the intersection between the field of photography and experimental theatre in the 1970s, the analysis will focus on the performance Liquidi, which stages a model, played by Lucia Poli, and a photographer during a photo shoot. The piece conceives photography as a medium that only reproduces erotic images of the female body. The performance, the performativity, is instead viewed as an escape strategy, a chance for the body to “undo” its traditional image and “portray” itself otherwise.

Disfare l’immagine: performance e fotografia in "Liquidi" di Lucia Poli (1976)

Cipollone, Giada
2022-01-01

Abstract

The article suggests an analysis of the relationship between performance and photography in the piece Liquidi by Lucia Poli (1976). After introducing the intersection between the field of photography and experimental theatre in the 1970s, the analysis will focus on the performance Liquidi, which stages a model, played by Lucia Poli, and a photographer during a photo shoot. The piece conceives photography as a medium that only reproduces erotic images of the female body. The performance, the performativity, is instead viewed as an escape strategy, a chance for the body to “undo” its traditional image and “portray” itself otherwise.
File in questo prodotto:
File Dimensione Formato  
cipollone_rsf 132022.pdf

accesso aperto

Tipologia: Versione Editoriale
Licenza: Creative commons
Dimensione 426.77 kB
Formato Adobe PDF
426.77 kB Adobe PDF Visualizza/Apri

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11578/342849
Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact