This essay investigates a curious text by Berthold Lubetkin, Pages d’un Journal de Chantier, published in the October 1932 issue of “The Architectural Review” as a presentation of the architect’s first completed building in Paris, an immeuble de rapport located on the Avenue de Versailles. The text is accompanied by hand-drawn caricatures of the French bourgeoisie: investors, future tenants of the apartments, clerks of the administrative offices, future neighbours. These caricatures, as well as Lubetkin’s narrative style, reveal an interest in the literary and artistic avant-garde, in particular, Jean Cocteau, while the interwoven narratives of text and image speak of an approach to architecture rooted in art, and at the same time, politically involved.
Pages d’un Journal de Chantier. Riflessi di Jean Cocteau in Berthold Lubetkin
Chiara Velicogna
2022-01-01
Abstract
This essay investigates a curious text by Berthold Lubetkin, Pages d’un Journal de Chantier, published in the October 1932 issue of “The Architectural Review” as a presentation of the architect’s first completed building in Paris, an immeuble de rapport located on the Avenue de Versailles. The text is accompanied by hand-drawn caricatures of the French bourgeoisie: investors, future tenants of the apartments, clerks of the administrative offices, future neighbours. These caricatures, as well as Lubetkin’s narrative style, reveal an interest in the literary and artistic avant-garde, in particular, Jean Cocteau, while the interwoven narratives of text and image speak of an approach to architecture rooted in art, and at the same time, politically involved.| File | Dimensione | Formato | |
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