The essay explores the architectural and symbolic significance of the Casa Semerani in Conconello, a weekend house designed in 1965 by Luciano Semerani and Gigetta Tamaro near Trieste. Conceived as a retreat for Semerani’s parents, the house embodies an intimate dialogue between architecture and land- scape, responding sensitively to the Karst topography through a non-mimetic yet harmonious integration. Positioned along a steep slope, the house is articulated through a descending spatial sequence that be- comes both a physical path and a narrative device, exemplifying what the author defines as a “karstic Raumplan”. The project is presented not merely as a built object but as an experiential and poetic archi- tecture, shaped through subtraction, spatial layering, and symbolic gestures. Drawing from Semerani’s reflections on the architectural profession, the house is interpreted as a concrete manifestation of ar- chitecture as a symbolic language – where geometry, memory, and the landscape converge to produce meaning. Ultimately, the house is portrayed as a living organism rather than a formal artifact: a space for encounter, play, and hospitality, where dwelling becomes a relational and emotional act. The text positions the Casa Semerani as foundational in understanding the architects' oeuvre and ethos.

Luciano Semerani e Gigetta Tamaro, Casa Semerani a Conconello

Gallo, Antonella
2025-01-01

Abstract

The essay explores the architectural and symbolic significance of the Casa Semerani in Conconello, a weekend house designed in 1965 by Luciano Semerani and Gigetta Tamaro near Trieste. Conceived as a retreat for Semerani’s parents, the house embodies an intimate dialogue between architecture and land- scape, responding sensitively to the Karst topography through a non-mimetic yet harmonious integration. Positioned along a steep slope, the house is articulated through a descending spatial sequence that be- comes both a physical path and a narrative device, exemplifying what the author defines as a “karstic Raumplan”. The project is presented not merely as a built object but as an experiential and poetic archi- tecture, shaped through subtraction, spatial layering, and symbolic gestures. Drawing from Semerani’s reflections on the architectural profession, the house is interpreted as a concrete manifestation of ar- chitecture as a symbolic language – where geometry, memory, and the landscape converge to produce meaning. Ultimately, the house is portrayed as a living organism rather than a formal artifact: a space for encounter, play, and hospitality, where dwelling becomes a relational and emotional act. The text positions the Casa Semerani as foundational in understanding the architects' oeuvre and ethos.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11578/371849
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